A Harlequin Romance Series Year – 1952
| # | Author | Book Title | Year |
| # 148 | Lynn Westland | Wagon Train Westward | 1952 |
| # 149 | Wallace Stegner | Remembering Laughter | 1952 |
| # 150 | Erich Von Stroheim | Paprika | 1952 |
| # 151 | Lewis Graham | The Great I Am | 1952 |
| # 152 | Ben Ames Williams | Great Oaks | 1952 |
| # 153 | Al Cody | Outlaw Valley | 1952 |
| # 154 | Richard Hirsch | Rasputin and Crimes That Shook the World | 1952 |
| # 155 | Tex Holt | Canyon of the Damned | 1952 |
| # 156 | James B. Hendrix | Blood of the North | 1952 |
| # 157 | Jay Walz, Audrey Walz | The Bizarre Sisters | 1952 |
| # 158 | William Hopson | Yucca City Outlaw | 1952 |
| # 159 | Lenore Glen Offord | The Smiling Tiger | 1952 |
| # 160 | James Hadley Chase | Twelve Chinks and a Woman / The Doll’s Bad News | 1952 |
| # 162 | James Oliver Curwood | The River’s End | 1952 |
| # 163 | Dan Carew | Guntown | 1952 |
| # 164 | Jan Westcott | Captain for Elizabeth | 1952 |
| # 165 | W. Stanley Moss | Rats with Baby Faces | 1952 |
| # 166 | Clyde B. Ragsdale | The Big Fist | 1952 |
| # 167 | Day Keene | Love Me and Die | 1952 |
| # 168 | Day Keene | Hunt the Killer | 1952 |
| # 170 | Evelyn Eaton | The Sea is So Wide | 1952 |
| # 171 | Leslie Ernenwein | Savage Justice | 1952 |
| # 172 | Paul Evan Lehman | Gun Law | 1952 |
| # 173 | Anneke de Lange | Anna | 1952 |
| # 174 | Robert H. Leitfred | Murder is My Racket | 1952 |
| # 175 | Elliot Arnold | The Commandos | 1952 |
| # 176 | James Oliver Curwood | The Valley of Silent Men | 1952 |
| # 177 | A.E. Van Vogt | The House That Stood Still | 1952 |
| # 178 | Jean Plaidy | The Goldsmith’s Wife | 1952 |
| # 179 | Jean Plaidy | Madame Serpent | 1952 |
| # 180 | Day Keene | If the Coffin Fits | 1952 |
| # 181 | Magdalen King-Hall | The Wicked Lady-Skelton | 1952 |
| # 182 | Carl G. Hodges | Crime on My Hands | 1952 |
| # 183 | Katrina Johnson | Evening Street | 1952 |
| # 184 | Angeline Taylor | Black Jade | 1952 |
| # 185 | Day Keene | Naked Fury | 1952 |
| # 186 | D.M. Lebourdais | Why Bea Sucker? | 1952 |
| # 187 | Mark Conigan | Shanghai Jezebel | 1952 |
| # 188 | George Albert Glay | Beggars Might Ride | 1952 |
| # 189 | Thomas H. Raddall | The Nymph and the Lamp | 1952 |
| # 190 | H.B. Drake | Slave Ship | 1952 |
| # 191 | Louis M.D. Berg | Prison Doctor | 1952 |
| # 192 | Edwina Elroy | Swamp Willow | 1952 |
| # 193 | George Challis | The Firebrand | 1952 |
| # 194 | Abel Shott | Triggerman | 1952 |
| # 195 | Harvey Smith | Nine to Five | 1952 |
| # 196 | Thomas H. Raddall | His Majesty’s Yankees | 1952 |
| # 197 | James Hadley Chase | Strictly for Cash | 1952 |
| # 198 | Charles N. Hecklemann | Rawhider | 1952 |
| # 199 | James Hadley Chase | The Double Shuffle | 1952 |
| # 200 | Edison Marshall | Doctor of Lonesome River | 1952 |
| # 201 | W.G. Hardy | The Unfulfilled | 1952 |
| # 202 | Paul W. Fairman | Copper Town | 1952 |
| # 203 | Jean Plaidy | Daughter of Satan | 1952 |
